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Do dancers and singers breathe differently? Performance specialists have thought so for centuries. But what happens when we’re dancing and singing at the same time? Dancing with Voice takes you from theatre to classroom to laboratory to rehearsal with professional performers, actors in training, directors, choreographers and world-class physiotherapists. In her third book, Joan Melton explores the training and work of actors, dancers and singers via clinical and practice-based research and comes up, not with a method, but with a perspective on performance training. She challenges the compartmentalization still found in most conservatory and university programs, and proposes a more collaborative approach to communication across disciplines.
- Sales Rank: #1761906 in Books
- Published on: 2015-08-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .30" w x 6.00" l, .41 pounds
- Binding: Paperback
- 132 pages
Review
Building on Singing in Musical Theatre: The Training of Singers and Actors (2007) and One Voice (with Kenneth Tom, 2nd ed. 2012), Joan Melton here brings together research and interviews with teachers and performers to clarify and round-out her work on breath management in performance. While her work focuses specifically on music theatre performers, who must sing while dancing or speak while moving, it applies equally to opera singers, who often face those same demands. For centuries breathing for singing and breathing for dancing have been taught differently. Not only has it been assumed that the breathing technique is different, but different terminologies have traditionally been used. However, the performer needs to work as an integrated whole in communicating with an audience through spoken voice, sung voice, movement and dance. This latest work brings it all together to provide a perspective on performance training to allow a collaborative, holistic, physical approach. The work is presented in an eminently readable form, moving between interviews and research, and drawing it all together in the final chapter, "Widening the Lens." - Dr. Jean Callaghan, Sydney, Australia, Voice Specialist/Singing, and author of Singing & Science (2nd ed. 2014)
Joan Melton has crafted a wonderful book of research, engaging interviews, and exploration into the new frontier of training for a generation of artists in which the current demands of cross-disciplinary performance benefit from a highly integrative approach to skill set in the areas of singing, speaking, dancing, moving, and acting. The book beautifully examines how we are doing what we are doing when skill sets are performed simultaneously. She illuminates consistencies and overlaps without prescribing a “one size fits all” approach to methodology and application, concluding that it is in fact possible to “do it all” without sacrificing one thing for another in performance, while remaining healthy! This book is a valuable and inspiring read for educators, practitioners, and creative artists alike, with innovative techniques and approaches to the collaborative process. I highly recommend this accessible and stimulating resource! Maggie Anderson, Assistant Professor of Musical Theater and Head of Movement, Temple University Theater Department
About the Author
Joan Melton, PhD, ADVS, is a pioneer in the integration of singing techniques and voice/movement training for the actor. The author of One Voice: Integrating Singing and Theatre Voice Techniques, with Kenneth Tom, PhD (2nd ed Waveland 2012), and Singing in Musical Theatre: The Training of Singers and Actors (Allworth 2007), she trained at the Central School of Speech and Drama, London, holds a PhD from the University of North Carolina, Chapel Hill, and has taught at leading drama and music centers in the United States, Great Britain, Ireland, Australia, and New Zealand. She is a published composer with performance credits in theatre, opera, television and voiceover, and currently heads research projects in the US and Australia. Visit her website at www.joanmelton.com.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent book! Useful tool for actors
By Neil Semer
Excellent book! Useful tool for actors, dancers and singers and those that teach those disciplines who are interested in their integration.
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