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This book is essentially a detailed Sniper Training manual for use by Military/LE Snipers, Competition shooters, Long Range Hunters, and other enthusiasts.

It describes, in detail, methods of range and wind estimation and includes practical exercises to ensure that the reader understands the methods outlined and also has a quick reference guide for the most commonly used equations in this skill set.

The book was primarily written for those new to long range shooting however, I hope that even experienced shooters will benefit from the book.

• Sales Rank: #79754 in eBooks
• Published on: 2013-11-12
• Released on: 2013-11-12
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Honest book
By William Hogan
Gives what it sets out to give, techniques to help you judge distance and wind. Keeps it simple and practical which is often the best way to go. Reading the book won't make you an expert but will give you a place to start.

1 of 1 people found the following review helpful.
... informative and I'm certain that it would be a good resource for both beginner and intermediate level shooters
By Jeremy G
I found this book very informative and I'm certain that it would be a good resource for both beginner and intermediate level shooters.

1 of 1 people found the following review helpful.
good information
By gregory
a good guide to reference and plenty of good examples for those of us who are hands on. very good!

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The story of writing in the digital age is every bit as messy as the ink-stained rags that littered the floor of Gutenberg’s print shop or the hot molten lead of the Linotype machine. During the period of the pivotal growth and widespread adoption of word processing as a writing technology, some authors embraced it as a marvel while others decried it as the death of literature. The product of years of archival research and numerous interviews conducted by the author, Track Changes is the first literary history of word processing.

Matthew Kirschenbaum examines how the interests and ideals of creative authorship came to coexist with the computer revolution. Who were the first adopters? What kind of anxieties did they share? Was word processing perceived as just a better typewriter or something more? How did it change our understanding of writing?

Track Changes balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.

• Sales Rank: #55535 in Books
• Published on: 2016-05-02
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.10" w x 6.40" l, .0 pounds
• Binding: Hardcover
• 368 pages

Review
Culling from specialized publications, mainstream journalism, and author interviews, Kirschenbaum recaptures the excitement and optimism writers often felt in the face of this magical new technology. To many, word processing seemed to promise a new possibility for aesthetic perfection. (Dylan Hicks Los Angeles Review of Books 2016-04-14)

Word processors have become so popular that they can seem simultaneously essential and mundane… Kirschenbaum shows that word processing was once considered radical, empowering, even frightening and strange. (Craig Fehrman Boston Globe 2016-05-05)

As Kirschenbaum’s history reminds us, the story of personal computers supplanting older systems dedicated to word processing…was hardly the fait accompli that we sometimes think it was. His book attempts a full literary history of this shift. To do so, he ranges across a number of phenomena. (Eric Banks Bookforum 2016-04-01)

A learned and lively study of the sometimes‐uneasy fit between writing on a computer and writing generally…As Kirschenbaum rightly notes, literature is ‘different after word processing,’ and so is literary history. He makes a solid start in showing how. (Kirkus Reviews 2016-04-01)

Kirschenbaum aligns literary art with information processing machines (computers) to create a history of word processing…For readers interested in the history of the production of writing as well as those who appreciate the finer tech‐related facts that have fallen out of popular memory. (Jesse A. Lambertson Library Journal 2016-05-01)

A well-researched, scholarly history of how early electronic typewriters, word processors, and microprocessor-based computers affected literary writers, the act of writing, and writers’ plots, characters, literary devices, and stories from 1964 to 1984. The book includes numerous examples of how specific authors thought about, wrote about, experimented with, and used early word-processing machines. (Publishers Weekly 2016-04-22)

Track Changes is delightful, magisterial, and instantly essential. Kirschenbaum unimpeachably delivers on his promise to give an account of word processing in all its wonderful messiness and complication. In his lively attention to storytelling, Kirschenbaum offers an account that brims over with interest and surprise. (Matthew Battles, author of The Library: An Unquiet History and Palimpsest: A History of the Written Word)

Track Changes is a revelation. Through careful documentation of the relationships between dozens of popular writers and their respective hardware and software, Kirschenbaum brings the materiality of contemporary writing into sudden, startling focus. After reading this book, you will never be able to ignore your keyboard again. (Darren Wershler, author of The Iron Whim: A Fragmented History of Typewriting)

Key to the success of Track Changes is Kirschenbaum’s knack of drawing out the relationship between writers and how they adopted, and adapted to, the new tools…In many respects this book is an engaging, extended love letter to the word processor―but it is much more than that. It is an impressively researched record of a radical, perhaps uniquely creative, chapter in the often turbulent relationship between technology and the written word. (John Gilbey Times Higher Education 2016-05-26)

Eye-opening…I found the book enlarged my sense of what had occurred during the course of my adult literary career. (Lucy Ferriss Chronicle of Higher Education 2016-06-01)

[An] unexpectedly engaging history of word processing. (Brian Dillon The Guardian 2016-07-02)

About the Author
Matthew G. Kirschenbaum is Associate Professor of English at the University of Maryland, College Park.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A fun and deeply enlightening book
By Dag Spicer
This is an amazing read about how people write and the tools they have used (beginning with the typewriter) to create text. If you wonder about how we call came to use Microsoft Word, this tells that story... but there is so much more. Filled with new, inside knowledge about some of the world's most famous authors and their computers, Kirschensbaum has written a fun-to-read exploration of 'word processing' and computing. This book tells these writers' struggles to balance the newfound abilities of word processors (such as much more immediate editing and revising) with the often idiosyncratic computer technology on which this new software ran. This book will make you think about your writing in a new way-- a great read!

Dag Spicer
Senior Curator
Computer History Museum

0 of 1 people found the following review helpful.
Unique book
By Leslie E Bonser Jr
Interesting book, but focused more on social impact of computerized text processing than on the "insider" point of view. I would have liked more stories from the early days of Silicon Valley about the actual development of such iconic word processors as WordStar, WordPerfect, and Microsoft Word.

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• Sales Rank: #1035889 in eBooks
• Published on: 2015-01-30
• Released on: 2015-01-30
• Format: Kindle eBook

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This long-awaited companion to Jonah Winter's acclaimed DIEGO feature the paintings of young Spanish artist, Ana Juan.� This stunning picture book is the perfect gift for art enthusiasts of all ages.

Cuando su madre la deja a cargo de sus cinco hermanas, su padre la ense�a a utilizar los pinceles y a colorear. Cuando una enfermedad la hace guardar cama durante meses, Frida dibuja para no aburrise. Cuando un accidente en autob�s la sume en el dolor, Frida expresa su tristeza y depresi�n en sus pinturas. Una y otra vez, durante toda su vida, Frida Kahlo utiliza el arte para expresar sus sentimientos. Jonah Winter y Ana Juan se asoman a la vida y la obra de esta gran pintora para ofrecerle un hermoso tributo con este maravilloso libro.

• Sales Rank: #42456 in Books
• Brand: Arthur A. Levine Books
• Published on: 2002-02-01
• Original language: Spanish
• Number of items: 1
• Dimensions: 11.25" h x 9.50" w x .25" l, .32 pounds
• Binding: Paperback
• 32 pages

From School Library Journal
Grade 2-5-This picture-book biography of the Mexican-born artist captures the essence of her difficult life and her triumph as a painter. Written in present tense, the story has immediacy, and the magnificent full-page acrylic illustrations cry out with emotion, as is befitting the work of a passionate artist. Kahlo, often lonely, had an active fantasy life, fueled by her creation of an imaginary friend and her exposure to the work of her artist father. Stricken with polio at age seven, she turned to drawing as her solace; years later when a bus accident nearly claimed her life, art again distracted her. While the simply told yet poignant story is inspiring, the true strength of this book lies in Juan's incredible illustrations. Their brilliant colors and expressionistic style convey the sense of daring and the excitement that Kahlo demonstrated both in her zest for life and in her splendid work. Figures familiar to the artist from Mexican folklore abound and their playfulness as they dance from page to page underscores the woman's artistic spirit. Her story is sure to be an inspiration, particularly to youngsters who see life differently from their peers and who dare to express these differences in artistic ways. A bold, successful attempt at incorporating the feel of the artist's own style into an explanation of her life.
Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI
Copyright 2002 Reed Business Information, Inc.

Review
Praise for DIEGO (1991):

"An accessible picture book about the life and work of Diego Rivera sounds like an oxymoron, but Winter . . . succeed[s] beyond belief. . . . The last pictures show him as a young man, perched on his scaffolding, brushes in hand, beckoning viewers on with his ardent glance. Readers will wish they could follow."
-- School Library Journal
"An excellent beginning biography."
-- Kirkus

* One of The Ruminator Review's 100 Best Children's Books of the Twentieth Century

* A Reading Rainbow Review book

* A 1991 Parents' Choice Award Honor winner

Praise for FAIR BALL! (1997):

Certain to be a hit with kids who take baseball history seriously, Winter's . . . handsome volume devotes a spread each to 14 stars of the Negro Leagues. Balancing stats with engaging trivia and anecdotes, the author will open readers' eyes to the injustices of segregated baseball. . . . This picture book [will] help set some records straight.
-- Publishers Weekly

A good, highly accessible introduction to a group of athletes who deserve to be as well known as their white counterparts.
-- School Library Journal

About the Author
Jonah Winter has written many exciting picture book biographies for children, with subjects that include Frida Kahlo, Diego Rivera, Barack Obama, and Dizzy Gillespie. He lives in Pittsburgh, PA.

Ana Juan illustrated FRIDA, Jonah Winter's picture book biography of Frida Kahlo, which was an ALA Notable Book and received an Americas Honor Award. She also received the Ezra Jack Keats award for THE NIGHT EATER, her first book as author-illustrator. She lives in Madrid, Spain.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Frida cat-lo
very cute book for kids.

11 of 11 people found the following review helpful.
Opening the eyes of young children
By Viv
My son and I went to a restaurant that it is full of Frida's paintings. He did not like Frida's face expressions in the paintings and said: "that woman is very angry". This book helped my son to understand how artists paint their own reality and in Frida's case, she showed her physical pain in her paintings (it was easy to understand for him how he also chooses specific colors when he paints, and those colors represent his emotional stage). It was a good conversation starter for my son and me (he is seven) about how life can be very hard for some people, but still they can get the best out of it - including such colorful paintings as a result of a difficult life and physical pain. I recommend it to all parents that want to show to their young children the strength of women, the art of women, and the importance of expressing yourself in art forms. I

3 of 3 people found the following review helpful.
Beautiful, touching story and intriguing artwork
By lmorasax
I purchased this book for my 8 year old niece who is learning Spanish. I just received the book and I think it is going to be just perfect. The story depicts the life of Frida and how she finds refuge from her solitude and, later, her pain, in her art. The art in the book is absolutely beautiful. I am sure parents reading it to their children will also thoroughly enjoy it. The level of Spanish is easy enough for early learners (yet there are several sentences on some pages, to help make it challenging, as well), yet the book is sophisticated enough not to bore slightly older children.

My niece is really into fairies, and I think the magic/mystical nature of the images and their slight darkness will really capture her attention. The story is also a nice lesson in sympathy for the sick and disabled. In general, a great book for Spanish learners. The book may not be as suitable for younger, native Spanish-speaking children, as the art is a tad dark, even though they would understand the language aspect at an earlier age. (It certainly isn't at all disturbing, though. I personally find it very intriguing.) I think this would be a great book for children around 5 years of age and older.

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