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Life in the Iron Mills (Xist Classics), by Rebecca Harding Davis
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Life in the Iron Hell
“In the neighboring furnace-buildings lay great heaps of the refuse from the ore after the pig-metal is run. Korl we call it here: a light, porous substance, of a delicate, waxen, flesh-colored tinge. Out of the blocks of this korl, Wolfe, in his off-hours from the furnace, had a habit of chipping and moulding figures,—hideous, fantastic enough, but sometimes strangely beautiful: even the mill-men saw that, while they jeered at him. It was a curious fancy in the man, almost a passion.” - Rebecca Harding Davis, Life in the Iron Mills
Life in the Iron Mills is one of the first American novels that depicts the precarious state of the impoverished working class. ‘Molly Wolfe’ is a member of this class working 12 hours a day, six days a week to earn a living. Because of his condition, he cannot develop his innate artistic talent. His cousin, Deborah tries to help him but the consequences are devastating.
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- Sales Rank: #1105233 in eBooks
- Published on: 2015-09-04
- Released on: 2015-09-04
- Format: Kindle eBook
Most helpful customer reviews
2 of 2 people found the following review helpful.
Interpretive possibilities
By Dame Droiture
This text seems to be increasing in popularity among academics, and it does offer some interesting perspectives on the issue of mid-century (the 19th, that is) labor reform. You can view this text in its original format from Google books as well as on your kindle. (It is found in The Atlantic Monthly's 1861 collection, I think -- which Google has scanned.) I think it elicits a number of interpretive possibilities despite its short length, and is worth a read to those people who don't tire of conventional openings and a somewhat-tidy wrap-up. (Although I did read somewhere that Rebecca Harding Davis was forced by the AM publishers to alter some parts of her original text to make it more suitable for the audience.)
You will not, perhaps unfortunately, actually learn much about iron mills. This story is rather a type of conversion narrative that focuses on two characters' struggles in that particular "life." Those looking for a technical or otherwise informational book regarding mills/industry--or even working-class lifestyles--should look outside this one. But since this story is so short, it wouldn't hurt to look here *as well*.
2 of 2 people found the following review helpful.
"Those who cannot remember the past are condemned to repeat it"
By Roger
People have forgotten what life was like without labor unions. Anyone who has an opinion on labor unions, even those apathetic toward their cause, should read this book so as not to forget what happens when labor has no influence and robber barons have unfettered power .
"Those who cannot remember the past are condemned to repeat it." – George Santayana
0 of 0 people found the following review helpful.
Poverty as poetry
By Karl Janssen
When one thinks of socially conscious realism in American literature, what usually springs to mind is the heyday of the “muckrakers”of the early 20th century. Before famous authors like Jack London, Upton Sinclair, or Frank Norris turned their attention to societal ills, however, the trail had already been blazed by a host of earlier writers now largely forgotten by the American public. One such author was Rebecca Harding Davis, a prolific writer for social change. Her novella Life in the Iron Mills, originally published in the April 1861 edition of the Atlantic Monthly magazine, is now considered a pioneering work in American realism. In the long run, however, ground-breaking works don’t always translate into enduring works, and Life in the Iron Mills has not passed the century and a half since its publication entirely unscathed.
As the title indicates, Davis’s novella describes the living and working conditions of laborers employed at an iron mill somewhere in the American South. Hugh Wolfe is a “puddler” at the mill. Despite the back-breaking toil of his occupation, Hugh has the mind of a dreamer and the soul of an artist. He lives with his father and cousin Deborah, who also works in the mill. Deborah, a hunchback, is in love with Hugh, though he offers no indication of reciprocal feelings other than friendly or familial kindness. Both are Welsh immigrants, and their dialogue is transcribed in their native accent, which is sometimes hard to decipher with its sprinkling of apostrophes and ubiquitous pronoun “hur” [you]. One day when Deborah brings Hugh his lunch at the mill, the laborers are visited by the mill owner and some of his higher class colleagues. At first they observe the iron workers much as if they were watching animals in a zoo. Then, as a conversation develops between Hugh and the visitors, Hugh’s mind is opened to the idea that his life could possibly consist of more than just slaving in the mills day after day.
For today’s reader, the problem with Life in the Iron Mills is that the perspective that Davis offers into the lives of the working poor isn’t markedly different from that of these upper class visitors to the mill. Unlike later depictions of similar subject matter such as Upton Sinclair’s The Jungle, Jack London’s “The Apostate,” or even Eugene O’Neill’s The Hairy Ape, the reader never feels like he’s amongst the workers, sharing their experience of filth and toil. Instead, it feels like we’re looking down from above, as if they were subjects in an experiment. This is heightened by the language that Davis uses, which is overly flowery and poetic for her topic. Though she talks a lot about smoke and ash and sweat, you never really feel it, because it’s all expressed in a prose style better suited to describing some sylvan grove. Though Davis may have turned the corner into realism by tackling such gritty subject matter, her writing stye is still very much rooted in the romanticism of the past. Her attempts to introduce religious imagery, offering up Hugh as a modern-day Christ, feel forced and overblown. The ending is as gratuitously drawn out as any melodramatic opera. As later realists would come to learn, who needs all these dramatic and linguistic flourishes when the drama of real life is enough?
Life in the Iron Mills may have shocked in its day, but today’s audience is likely to find it a bit tame. Davis was decades ahead of her time with this attempt at naturalism, but it’s still just an attempt, and a precursor of better things to come.
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